![]() ![]() ![]() He took to method-acting immersion but found film work scarce after a confrontation with director Henry Hathaway on the set of the 1958 film From Hell t o Texas. Hopper became an acolyte of James Dean and a believer in his intense approach to performance after co-starring with Dean in Rebel Without a Cause and Giant. This steady stream of work has made his tumultuous relationship with Hollywood easy to forget. Over the last couple of decades, Hopper has become a go-to psycho in projects from the reputable ( Speed, 24) to the ridiculous ( Super Mario Bros., Waterworld)-interrupted once in a while with memorable turns in movies like True Romance and Elegy. After the failure of The Last Movie, his 1971 directorial follow-up to Easy Rider, it would be more on than off. No doubt helped by Easy Rider, 1969 became for communes what 1978 would be for discos.įalling in love with the place after visiting it to prepare for Easy Rider, Hopper became an off-and-on resident for years. It was the year communes first began to attract mainstream attention and, consequently, casual scenesters. But when she returned in 1969, she discovered a scene changed by too many casual drop-ins. She found a small group of people dedicated to living communally. Keltz first stayed at New Buffalo in 1968, around the time Easy Rider was shooting. ![]() The sequence that follows explores commune life, and it squares well with the firsthand accounts found in Iris Keltz’s Scrapbook of a Taos Hippie, from one communard’s obsession with the I Ching to an unspoken divide between those doing work and those just sitting around. Billy, in one of his few unreservedly joyful moments, starts playing with some kids as Wyatt takes in the scene. As Wyatt, Billy, and a hitchhiker they’ve picked up arrive at the film’s New Buffalo, they find a place bursting with life, maybe too much of it. The land north of here became dotted with communes in the late ‘60s, none more famous than New Buffalo. ![]()
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